1. SARASWATICHANDRA: AN EXAMPLE OF STRUCTURAL NOVELTY IN THE LATE 19TH CENTURY FICTION IN GUJARATI LITERATURE
2. RABINDRANATH TAGORE’S CONCEPT OF WOMANHOOD IN THE PLAY CHANDALIKA
3. AN ANALYTICAL STUDY ON THE AGRICULTURE REFORMS IN INDIA WITH SPECIAL MENTION TO THREE NEW LAWS
4. AN EYE FOR AN EYE: THE FEMALE GAZE IN ACTION IN JONATHAN GLAZER’S UNDER THE SKIN
5. EMOTIONAL MATURITY OF ADOLESCENTS IN RELATION TO GENDER AND AREA
6. STUDY ON JUDICIAL APPROACH TOWARDS CHILD SEXUAL ABUSE IN INDIA WITH SPECIAL REFERENCE TO PRE AND POST POCSO LAW IN INDIA
7. AFFIRMING QUEER IDENTITIES IN DEVDUTT PATTANAIK'S SHIKHANDI AND OTHER TALES THEY DON'T TELL YOU
8. METAPHORICAL THINKING CENTRAL TO AN ARTS/PERFORMING ARTS EDUCATION AND THE TRANSCENDING PROCESS IN INDIAN PERFORMING ARTS EDUCATION
9. PHILOSOPHY OF MAHATMA GANDHI ON ARTS/PERFORMING ARTS IN EDUCATION – HIS EXPLANATION OF THE METACOGNITIVE ARTISTIC PROCESS VALIDATED BY 21ST-CENTURY RESEARCH AND ITS RELEVANCE TO THE POST COVID-19 WORLD
10. NOWHERE TO GO: PREDICAMENT OF A MOTHER IN BABURAO BAGUL’S “MOTHER”
